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Sunday, July 4, 2010

Mary Poppins and related hoopla




This whole thing started innocently enough. On the way to watching the 4th of July Fireworks on the National Mall, we saw an advertisement in the Metro station for the Disney musical "Mary Poppins", currently playing at the Kennedy Center.

"Supercalifragilisticexpialidocious," Mr. S said.

"What?" said I.

He told me it's the long word Mary Poppins used in the musical, which he watched and loved as a child and still remembers. I said I read the book and do not remember any such magic word.

I did read the book in my childhood, and it left quite an impression on me, like Pippi Longstocking.

"Oh here we go again with the cultural imperialism of Disney," I complained. "They just have to take interesting children's literature and dumb it down to syrupy American musicals."


When we got home, I looked up the Mary Poppins novels. Indeed, the word supercalifragilisticexpialidocious was the creation of the writers of the Disney musical. Then I discovered that the author of the Mary Poppins series was Pamela Travers, who wrote the first Mary Poppins book to great success in 1934, followed by a number of sequels. The last sequel was written in 1988!

Travers was an Australian actress, journalist, and poet. Like female authors and artists of that time (first half of the 20th century and before that), she used her initials in her published works, as P.L. Travers rather than Pamela Travers, so that she was not instantly judged to be inconsequential and frivolous by critics because her name could be recognized as that of a woman.


What an interesting life Travers had. But that's not the end of it. Apparently there was a big brouhaha behind a 2005 New Yorker article about Travers, written by Caitlin Flanagan, which drew the ire of Valerie Lawson, the author of an exhaustive Travers biography published first in Australia and then in the UK. Apparently Lawson felt that her work was not properly referenced and herself was not given sufficient credit in Flanagan's article, in part because Flanagan interviewed her before writing the article. The New Yorker editor tried to defend their writer and address the conflicts through a letter-to-the-editor and an author's response.

Something seems very familiar to me in all this kerfuffle between the angry letter-writer and the magazine editor, which I accidentally discovered on Columbia Journalism Review Web site while looking up Lawson's book. I am reminded of several occasions in two of my jobs at publishing places. They are no New Yorker, of course, but readers occasionally protested on things they felt strongly about, sometimes justified and other times not. The way this editor dealt with such conflicts is nearly the same as my editors did. I find it all fascinating, but this is probably of no interest to anyone outside of this line of work.

This is how writers argue and fight. :)


So, now, should I go off and re-read Mary Poppins novels first or Lawson's biography of Travers first? I wish I could get hold of at least one of the TV documentary programs about Travers, but the programs were shown only in Australia and the UK in 2006.

6 comments:

CAVA said...

啊,一直以为先有舞台剧再有DISNEY电影,看来跟My Fair Lady搞混了。

作者跟DISNEY争执的故事很有代表性。

Jun said...

小时候读这本书总以为是英国,但其实是澳大利亚。难怪有种特别的味道和风格。

Jun said...

前几天我还闹了个笑话,看完了 Mrs. Warren's Profession 之后我说,萧伯纳的 My Fair Lady 的结尾也是没有解决一切矛盾和冲突就结束了,朋友给我纠正道,他的话剧叫 Pigmalion,My Fair Lady 那是百老汇音乐剧的名儿。

CAVA said...

每年Boxing Day或者New Years Day必放Marry Poppins,我没完整看过,只记得一些零碎片段。

Pigmalion作为音乐剧名有点太难记了。

Jun said...

I think it has been well established that Walt Disney was evil. EVIL!

Tingting said...

Tolkien当年明令禁止Disney拍The Hobbit,大概就是怕他们画成七个小矮人的样子吧 :D

不过我还是很fan迪斯尼的,从七个小矮人开始。初中时候的狮子王,哇,全班学台词的兴趣远大于学课本.. (我们是外语学校,用的课本本身就比统编教材好很多了)

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