Search This Blog

Friday, March 19, 2010

没有电脑的时代,龙刺青女

Martin Beck 系列里有一个常驻人物,警探 Melander ,有照相机般的记忆,过去的案例和人物都记得清清楚楚,同事都不用查资料,问他就可以了。让我想起 Smiley 的情报局里也有个这样的人物, Connie ,也是这种类型的天才。没有电脑的时代,至少小说里需要这样的脑子啊,在真实生活中么?只好慢慢地在档案库里流汗了 ...

*******

现在正在听 The Girl With the Dragon Tattoo,原文题目实际上是 Men Who Hate Women 。比较 shocking 的是,书中充满了虐待女性的男人,肉体加精神的虐待到处都是。我还以为北欧人民思想非常进步呢,不是女权高涨么?被 Larsson 写出来好像不比其他国家强么。让人感到好幻灭啊。

不知道是不是因为没看纸书的缘故,感到一般般,不是很 engaged。为啥呢?这第一本里男主角的戏比较多,Mikael Blumqvist 简直太明显是作者代入自己了,这倒没什么,问题在于, He is devoid of any discernible personality。从读者的角度来看,比香草还苍白,但是小说里的各色女人从老到小都主动地投怀送抱,而且身心同时奉献,还不是肉体满足而已。香草式的男主角倒也不是没有追随者,不幸我很不吃这一套 ...

好玩的是,电影里选的演员跟小说十分一致,看上去也不是有特征的长相,绝不是 Ed Harris 那种老男人。(下面是剧照)

记帐

正在读:

The Man Who Went up in Smoke (Martin Beck series #2)

正在听:

The Girl with the Dragon Tattoo

正在考虑本周末去看一下龙纹身女的电影。

"I don't buy it."

From the preface of "What the Dog Saw":

Nothing frustrates me more than someone who reads something of mine or anyone else's and says, angrily, "I don't buy it." Why are they angry? Good writing does not succeed or fail on the strength of its ability to persuade. ... It succeeds or fail on the strength of its ability to engage you, to make you think, to give you a glimpse into someone else's head -- even if in the end you conclude that someone else's head is not a place you'd really like to be.

Thursday, March 18, 2010

教训

时不时的世界会提醒人意外和无法理解的现象。平时擦身而过,交换只言片语的人,倒记得我并且怀有好意,过去只是帮人开个门说过半句好话的,其实并未提供过实质性帮助的人,倒念念不忘地回头跟我打声招呼,互通下问候,把我当成朋友。反而是曾经投入过不少感情和好意的,费过唇舌,倾注过同情,搭进时间和心力,最后反过来被记恨还要踩几脚。多说多错,多做多错,见识和遭遇的人多了,终究会遇上让我后悔当时伸出过援手的例子。自己好意买罐牛奶送人,不知怎么就变质发臭成了罪状。好吧,nobody's perfect. 好意变成错事自己还不知道,没有读心术又怎能搞清楚什么地方得罪了人。我还没那么大的本事,事先能一眼看出跟什么人应该接茬跟什么人应该躲得远一点。

Wednesday, March 17, 2010

The Difference Between Gladwell and Me

What the Dog Saw 快看完了。后面一篇很有意思,Dangerous Minds: Criminal Profiling Made Easy。当然我的意思不是文章本身很有意思,因为书里大部分的文章都很有意思,而是让我联想到一件跟自己有关的事。

这篇文章的内容和主题是,激发无数畅销小说、非小说书籍、电影、电视剧等等的大名鼎鼎的 FBI criminal profilers 跟摆摊算命的人卖的是同一葫芦里的药,说得天花乱坠实际上毫无用处。我一看到这个说法脑子里立刻叮地一声,deja vu! 这个说法我早见过,但是完全不记得在哪里见过,给我留下了很深的印象。 相当可靠而合理的说法: psychological profiling 是一件非常不靠谱的事情,在现实的侦探工作里毫无用处,警察之所以能抓到凶手罪犯,根本原因很简单,1) 大部分的罪犯都很笨,无条理,惊慌和混乱,留下大量线索,2) 朴素、沉闷、labor-intensive的侦查手段是唯一有实际用处的工具,例如在附近一家一家地询问有无听见看见异常现象,分析现场留下的各种物理线索,调查受害者的社会关系,如此等等。加上一些运气的因素。这就是侦探工作的全部,什么天花乱坠的神奇东西都是 bullshit。

这个解释非常合乎逻辑,虽然我根本没有第一手经验,也立刻相信了,并且从那时候开始逐渐迷上了 police procedural 类型的 mystery 小说(Martin Beck 和 Wallander 是典型的例子,梅格雷也差不多),而不再被沉默羔羊这种惊险小说吸引。但是我从来没想过去收集这方面的资料来源,这个说法的证据基础。Malcolm Gladwell 并没有发明这个理论,也没有亲手收集过数据,他只是收集和编织起行业内早已流传甚广的专业研究,用通俗易懂而且引人入胜的笔法叙述出来,而一手的数据资料都是从别人那里引用来的,实际上我怀疑在 criminology 里面 FBI profiling 那套早已过时,否则不会连我都听说过对它的批判。但是行业之外的大众是不知道这些数据和研究的: 例如英国有criminologist曾回头审查过上百个罪犯尚未抓到之前开出的profiles,发现只有百分之二点几是准确的,其他都不准,这个概率大概连 random hits 都不如。

我跟 Gladwell 的差别就在于,虽然我们的脑子里都塞满了各种乱七八糟毫无规律的碎片,但是他遇到 curious nuggets 会继续刨根问底,把一大堆的 primary research 都给挖出来,组织成一篇完整有逻辑有条理的文章或者一本书;而我呢,把碎片塞在脑子里的某个角落而已。

Tuesday, March 16, 2010

Savannah 2



River Street was quite short. Walking from one end to the other took about 15 minutes. It was still chilly on the day I arrived; on the day I left the weather warmed up considerably. The sun was so bright it made me blink. "Sittin' on the dock of the bay ..." The song came to my mind.

On the last evening, I walked along the river, tourists rushing by me, warm sugary breeze drifting from two candy stores on River Street. In one of the stores, a toy train was clunking its way above our heads on a winding track hanging from the ceiling. Barrels of candy glistened in the light. The cynic in me suspected the authenticity of all this antiquity, but I couldn't really believe my doubts. The houses were real. The wood floor and creaky stairs were real. The dark, exposed stone walls were real. You can't fake this. On the first floor was Vic's coffeehouse, a bare and shabby place in which elaborate and gigantic wedding candles were displayed on wooden shelves that had long lost their colors. All handmade. You can order your own. Yet up the creaky stairs and across the wooden floor, I walked into a chic and modern restaurant with a sparkling bar --- Vic's restaurant.

I sat down at the bar near the window. To my right was a striking young woman with a milky neck and creamy shoulders, jet-black hair cut boyish short and gelled spiky. She was Lisbeth Salander cool. For half an hour she sat and played on her iPhone, then got up and left. Another art student, I thought. Maybe.

The restaurant was crowded. I could get only a stool at the bar. I ordered sea scallops with crab risotto. Instead of bread I was given two warm buttermilk biscuits, whipped fresh butter, and homemade orange marmalade -- not too sweet and filled with chunks of orange. That, my friend, was comfort food. I almost wept with joy and longing. Outside, night was descending on the river. From the window one could looked down onto the black current and pearls of light from docked boats.

Sittin' on the Dock of the Bay

买书的问题

心痒,计划买个 Kindle,唯一的犹豫之处是买了书就不想看了。实际上我很少收集书,总是非借不能读也,真的占有了就没动力去读,而是专门去读有死线的书。也不知道是什么心理,急不可耐地看完即扔到一边。生性喜新厌旧,很少有书能经常看,反复看,没事就拿出来看也不嫌腻,包括 Sherlock Holmes 也不行,只能等很长一段时间,将书中内容忘得七七八八或者又老了几年心境大不同,回头看才有意思。或许是因为小时候不看红楼梦,没体会过反复咂摸的经历。

这年头想看什么书都随时可以找到抓到找到,放在家里存着似乎更加无意义了。我总觉得书不属于我,我只是个过客,随时从世界图书馆的书架上抽出一本,看了再放回去,如果死之前还想重看,再回去借来看好了。只要进了自己的记忆中就是占有。总之就是很不习惯占有书的感觉。

To Kindle or not to Kindle, that is the question.

The Ending of Le Samourai (1967), Explained

A quick online search after watching Jean-Pierre Melville's Le Samourai confirmed my suspicion: The plot is very rarely understood by E...