Books, movies, food, and random thoughts in English and Chinese. Sometimes I confuse myself.
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Saturday, August 1, 2020
Primer
It is perhaps because a friend and I discussed the fear of death and dying this morning that I decided (finally) to rewatch this movie after over a decade. Even though I had read and watched a number of variations on the time-travel theme, I was very impressed by this little indie movie to remember it over the years. It's more interesting than the tropes and the done-to-death "solutions" to the fundamental paradoxes, for example, the reliance on coincidences and characters' unawareness in stories like "12 Monkeys". (I'm not saying "12 Monkeys" is bad, but I found it unsatisfying and tiresome, certainly not as clever as it thinks it is.)
Upon the second viewing, I am again impressed by Shane Carruth's courage to at least try to face the paradox of time travel. Of course, it inevitably breaks down as the lead characters' little scheme to prevent paradoxes breaks down later in the story. In general, his choice to let paradoxes happen and let history be rewritten in the way time travel happens in "Palimpsest" (a novella by Charles Stross) is audacious. Unfortunately he kind of lost control of the story and chickened out of the inevitable confrontations --- perhaps because of the lack of budget for special effects --- led to an ultimately disappointing ending.
The particular wrong turn in the script is the sudden appearance of the third, "failsafe" machine that pops up when the story is written into a corner, leading to the problem of when the initial timeline (which leads to the disastrous appearance a second Thomas Granger, Abe's girlfriend's father) ceases to exist. If this timeline is killed the moment Abe goes into the "failsafe" machine on another floor, Aaron would have no opportunity to try to beat him with his own trip.
The hastiness of this third machine and Aaron's previously-unestablished scheme of bringing a machine back, etc., are a lot of hand-waving that somewhat diminishes the story. Of course, the inherent paradoxical nature of time travel cannot be resolved, and this story always faces the unsolvable threat of "what if the original Abe or Aaron chooses not to go into the machine at 6 pm in the afternoon". Nevertheless, I am still a fan of this movie and Palimpsest for their creativity and courage to challenge cause and effect.
Recalling my discussion with the friend (who is, by the way, the least vain person I know), however, I realized that the emotional core of all the time-travel stories is regret and the unwillingness to accept ourselves for who we really are.
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