除了第一段的“春之祭”以外,影片中记录的另外三个舞蹈 Cafe Mueller, Kontakthof, 和 Vollmond,几乎全是哭着看完的。并不是因为影片中的哀悼 Pina Bausch 的主题,虽然舞蹈团员们默然怀念的脸和旁白也十分有效。让我哭得鼻青脸肿的是她的舞蹈, the yearning and desolation, tenderness and strength,虽然有些地方也有 joy and wonder,更多的是刻骨铭心的 melancholy,感动死了TNND。
Books, movies, food, and random thoughts in English and Chinese. Sometimes I confuse myself.
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The Ending of Le Samourai (1967), Explained
A quick online search after watching Jean-Pierre Melville's Le Samourai confirmed my suspicion: The plot is very rarely understood by E...
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